In this moment, Louise once again experiences the kind of physical and emotional excitement that she is supposed to avoid because of her heart condition. Yet again, she disregards the limitations placed upon her by her own body and by society, finally giving herself over to the growing sense of freedom represented by the emergence of spring outside the window. Although she knows that she will inevitably experience grief when she sees his dead body and his fixed and gray face that had always looked at her with love, the prospect seems a small price to pay for the life of freedom and independence that now stretches out before her, a life in which she can make her own choices and live for herself for the first time.
Her physical excitement has now been reframed as an indication of her happiness regarding her new independent life.
She holds no grudge against him, as he had always been kind and loving to her. Her joy, then, is the result of the life ahead of her that will be full of freedom and independence. Louise realizes that she will no longer be subjected to the powerful rules and norms of marriage, which cause humans to blindly and stubbornly impose themselves on one another. Body and soul free! In the 19th century, women were expected to live under the financial and social control of their husbands.
In this moment, Louise recognizes the rare opportunity she now has to escape this patriarchal dynamic. Meanwhile, worried that Louise will make herself sick by staying alone in her bedroom, Josephine kneels outside the room and begs her sister through the keyhole to open the door. She keeps her joy to herself and revels in the idea that her new life—which will be full of freedom—is totally and completely her own.
She says a short prayer that her life will be long, and knows that it was just the day before when she wished it would be short. Eventually Louise rises from her chair and opens the door, just as Josephine begs her to. She embraces her sister. By embracing her sister she proves once again that she holds no grudges against those who ultimately oppress her. Together, the two sisters descend the stairs, where Richards stands waiting at the bottom.
As they do so, they hear the sound of a key opening the front door. Without warning, Brently Mallard appears in the doorframe, utterly unaware of any train accident; he had been far from the scene of the tragedy. Brently is completely oblivious to the process of self-discovery Louise has undergone.
Though it is not his fault, his presence gives Louise the message that her freedom could never be a reality. Joy does, in fact, play a role in her death: Retrieved September 13, Download this Chart PDF. They're like having in-class notes for every discussion! Get the Teacher Edition. My students love how organized the handouts are and enjoy tracking the themes as a class.
She mentions that she will weep again when she is present at her husband's funeral, but she is able to look past that grim moment and look forward to "the years to come that would belong to her absolutely. When she sees him, she dies, not from the "joy that kills," but because she is heart-broken and shocked at the reality. She dies because she realizes that since he's not dead, she will not be free.
The drastic halt is too much for her to handle. There are a few symbols in the story, which are symbolic of Louise's life of freedom. The spring day symbolizes a new beginning of her life in which she is free. Spring is the time when living things propagate and are reborn. Likewise, Louise believes she will become productive, energized and reborn.
Louise has her whole life of freedom to look forward to. A second symbol is the open window in her bedroom. The window suggests that In five pages this paper presents an analysis of this short story in terms of how imagery, similes, foreshadowing and parallelism And watching her character develop and learn is what makes the t This character then stands as a powerful example of women from that era who were given few choices b The other indication that she will be experiencing an ambivalence toward his death is
Elements of Setting in Kate Chopin's Short Story, "The Story of an Hour" Setting exists in every form of fiction, representing elements of time, place, and social context throughout the work. These elements can create particular moods, character qualities, or .
One Hour at the Mallards' Home Granted, the scope and length of this story is super limited. The story takes place within an hour, so there's only so much time the .
Setting Analysis of the Story of an Hour Essay Words | 5 Pages. Setting Analysis Of “The story of an Hour” “The Story of an Hour” is a story about a woman, Mrs. Mallard, who comes to find that her beloved husband Brently Mallard was killed in a railroad incident. Analysis and Summary: Story of an Hour Essay Audience Analysis The target audience for my summary and response to Kate Chopin’s, “The Story of the Hour,” would be primarily college students, my professor, and any individual both male and female interested in the works of Chopin and/or the interpretation there of.
Rhetorical Analysis of The Story of an Hour In Kate Chopin wrote the short story â€˜The Story of an Hourâ€™. Chopin, born Oâ€™Flaherty in , is considered one of the most important women in the 19th century American fiction. She is best known for her novel â€˜The Awakeningâ€™. LitCharts assigns a color and icon to each theme in The Story of an Hour, which you can use to track the themes throughout the work.