A Monaco-based art dealer Mr. Looking at some pieces of contemporary art, I agree with this thesis. The brightest example of meaningless art for me is a video artwork by Tracey Emin, which depicts an average-looking woman riding a horse. No notable objects appearing, no culmination or introduction.
Perhaps, you should be a genius to notice any other meaning in this artwork, except a woman riding a horse. Despite my sincere and deep interest in art—from classic to avant-garde—I am not afraid to admit that I completely do not get contemporary art. In my perspective, it looks either shocking, or ultra-complex, or meaningless. Though I may remember the most shocking or senseless artworks, I would rather forget about their existence. Independent Digital News and Media, 22 Feb.
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This phenomenon continues to raise questions for researchers, without consideration of which it is difficult to analyze. The difficulty of its interpretation is mainly due to the fact that the process of the formation of modern adeptness as a direction has not been completed, so we can only talk about forms, methods, details and structural elements of this phenomenon. Modern adeptness has more than a century and a half history; its beginning is associated with the appearance of impressionism.
This artistic direction first openly violated the pictorial canons of realistic adeptness and offered a new approach to artistic creativity, based not on naive copying of nature, but on the transmission of a living subjective impression of it.
Approximately at the same time, the invention of photography took place, which influenced the further development of painting in the most radical way.
If to consider this issue from the point of view of the evolution of art, the most logical turning point is the emergence of conceptual adeptness in the early s. Nevertheless, the crisis point in the development of modernism was the conflict between abstract and figurative adeptness, which continued to apply traditional methods of painting and sculpture.
In addition, almost at the same time, there is a transition from modernism to postmodernism. In the form in which contemporary adeptness exists today, it begins to form in the s and s, when artists were looking for an adequate alternative to modernism in the form of new artistic practices: Modern adeptness of photography transcends through limitations, turning from photography into art.
It admits techniques that are outside the classical shooting. It can be both the latest methods, for example, computer graphics, and very old methods of processing, materials or devices such as coarse-grained photo materials, silver bromide photographic paper, monocular lenses, toning, and others.
Modern architecture is a motley, diverse world. The main feature is that the architecture developed in parallel with the development of modern construction. The best architects-builders were also theorists-researchers of architecture.
Very often their innovative ideas at first did not find support and were realized in individual buildings, and only then they received universal recognition and dissemination. This meant a new round of the development of art, and the architects were the creators of new styles and trends in art. Impressionism claimed the beauty of the real world, emphasizing the freshness of the first impression, the variability of the surrounding.
Priority attention to the solution of purely pictorial problems reduced the traditional idea of drawing as the main component of the work of art. This is an avant-garde trend in the French adeptness of the 20th century. Fauvists were characterized by a tendency to the laconic expressiveness of forms and intensive color solutions, the search for impulses in primitive art, the adeptness of the Middle Ages and the East.
This is the direction in the first sentence of the twentieth century. The placid language of cubism was based on deflation and the spread of ideas on a geomagnetic flaw, the plastic shift of the form. This is a literally-inspired direction in the design of the x years. The main idea of futurism was the destroying of cultural stereotypes since this direction considered itself as an adeptness of the future.
Introduction | Essay | What is Modern and Contemporary Art? By Francis Halsall & Declan Long 1 – In a Dark Room (i) In a dark room, on a large screen, three Indonesian kids in matching purple Adidas tracksuits, wrap-around sunglasses and sun-visors are singing a karaoke version of a song by the s pop group The Smiths. It is equally.
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Jan 26, · Museum of Modern Art in New York Roxanne Briano The Museum of Modern Art in New York City is the world’s leading modern art. Its exhibits have been a major influence in creating and stimulating popular awareness of modern art and its accompanying diversity of . WHAT MAKES MODERN ART MODERN? NTENSE, CRITICAL, BREAKING WITH TRADITION, AND AVANT-GARDE— these are words and phrases sometimes used to describe modern art. “Modern” is a chronological and stylistic designation that usually.